The Fortune Teller by (1899) Palmistry, or chiromancy (also spelled cheiromancy; from Greek kheir (χεῖρ, ός; 'hand') and manteia (μαντεία, ας; '), is the claim of characterization and the future through the study of the palm, also known as chirology, or in popular culture as palm reading. The practice is found all over the world, with numerous cultural variations. Those who practice chiromancy are generally called palmists, hand readers, hand analysts, or chirologists. There are many—often conflicting—interpretations of various lines and palmar features across various schools of palmistry.
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These contradictions between different interpretations, as well as the lack of evidence for palmistry's predictions, have caused palmistry to be viewed as a by academics. A palm-reader's booth setup outside in Ancient palmistry [ ] Palmistry is a practice common to many different places on the landmass; it has been practised in the cultures of India, Nepal, Tibet, China, Persia, Sumeria, ancient Israel and Babylonia. The acupuncturist Yoshiaki Omura describes its roots in (known in as ), ( I Ching),. Several thousand years ago, the Hindu sage is thought to have written a book comprising 567 stanzas, the title of which translates in English as The Teachings of Valmiki Maharshi on Male Palmistry.
From India, the art of palmistry spread to China,,, and to other countries in. From India, palmistry progressed to Greece where practiced it. Aristotle (384–322 B.C.E.) discovered a treatise on the subject of palmistry on an altar of, which he then presented to Alexander the Great (356–323 B.C.E.), who took great interest in examining the character of his officers by analyzing the lines on their hands. During the the art of palmistry was actively suppressed by the as pagan. In, palmistry (known as 'chiromancy') was classified as one of the seven 'forbidden arts', along with,,,,, and spatulamancy (). Modern palmistry [ ].
An influential exponent of palmistry in the late 19th century Palmistry experienced a revival in the modern era starting with Captain Casimir Stanislas D'Arpentigny's publication La Chirognomie in 1839. The Chirological Society of Great Britain was founded in London by Katharine St. Hill in 1889 with the stated aim to advance and systematise the art of palmistry and to prevent charlatans from abusing the art. Edgar de Valcourt-Vermont (Comte de St Germain) founded the American Chirological Society in 1897.
A pivotal figure in the modern palmistry movement was the Irish William John Warner, known by his,. After studying under in, he set up a palmistry practice in and enjoyed a wide following of famous clients from around the world, including famous celebrities like,,,,,,, the,,,. So popular was Cheiro as a 'society palmist' that even those who were not believers in the occult had their hands read by him. The skeptical Mark Twain wrote in Cheiro's visitor's book that he had 'exposed my character to me with humiliating accuracy.' , an English, published various works including the 1883 book, Palmistry – A Manual of Cheirosophy, which is still in print. There were attempts at formulating some sort of scientific basis for the art, most notably in the 1900 publication 'The Laws of Scientific Hand Reading' by William G. Techniques [ ].
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( May 2015) () Chiromancy consists of the practice of evaluating a person's or by 'reading' the palm of that person's hand. Various 'lines' ('heart line', 'life line', etc.) and 'mounts' (or bumps) (chirognomy) purportedly suggest interpretations by their relative sizes, qualities, and intersections. In some traditions, readers also examine characteristics of the fingers, fingernails, fingerprints, and palmar skin patterns (), skin texture and color, shape of the palm, and flexibility of the hand.
A reader usually begins by reading the person's (the hand he or she writes with or uses the most, which is sometimes considered to represent the conscious mind, whereas the other hand is subconscious). In some traditions of palmistry, the other hand is believed to carry hereditary or family traits, or, depending on the palmist's cosmological beliefs, to convey information about 'past-life' or 'karmic' conditions. The basic framework for 'classical' palmistry (the most widely taught and practiced tradition) is rooted in Greek mythology. [ ] Each area of the palm and fingers is related to a god or goddess, and the features of that area indicate the nature of the corresponding aspect of the subject.
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For example, the ring finger is associated with the Greek god; characteristics of the ring finger are tied to the subject's dealings with art, music, aesthetics, fame, wealth, and harmony. Hand shape [ ]. This section does not any. Unsourced material may be challenged.